As a visual artist, I flow between art with others, bodily actions, the voice and the landscape.
I have decided to articulate my work from other people's poetic practices; resume and deconstruct the trades and chores of those who suggest me, as well as produce in community to exercise the collective creative success, far from the authorship and the occurrence.
I have wanted to work with love, but above all with women; I have assumed the restlessness to activate works that will never be finished, to open synesthetic dialogues between the sound of the landscape and the image that shapes it, between touch and smell, between the listen and the setting of the body.
All of this becomes installations, performative actions, situated drawings, interventions in the landscape, photography, video, sounds and writing.
I am interested in thinking of art as something more than a set of works, as a doing vehement and committed, with the full conviction of his wide capacity discursive, collective and political: an act of proposal without the intention of transformation.